青年古筝演奏家陈佩欣的全新专辑《指间万象——陈佩欣古筝作品集（Universe at the Fingertips: Pui Ian Chan's Guzheng Anthology）》由中央音乐学院北京环球音像出版有限公司正式出版并全球数字发行。本作品集是陈佩欣于中央音乐学院本科至硕士期间创作旅程的沉淀，亦是对古筝音乐当代可能性的一次探索。从传统底蕴到爵士乐的自由即兴，从童谣的质朴天真到现代音乐的先锋语汇，这些作品如同文化经纬线上的坐标，记录着她对“筝之边界”的追问与回答。 在传统与创新之间，陈佩欣始终寻找着平衡与突破。《倒垂帘》《汉宫秋月》以二重奏形式再现经典韵味，在保留传统精髓的同时注入新的对话；《漫步巴黎》让古筝在爵士和布鲁斯语境中展现其风格跨度；《弦舞探戈》通过激烈的节奏与律动，探索古筝在探戈风格上的艺术表现力；《地水序》以独奏形式，运用特殊定弦与演奏技法，拓展古筝的音色边界；《镜花水月》通过筝与钢琴的虚实交织，营造空灵意境；《明月光》以筝、扬琴与中阮的弹拨组合，编织出细腻的音响层次；而《盛唐意象》则以筝群与民族室内乐的宏大气象，重构盛唐音乐图景。这些创作实践始终秉持“传统为体，跨界为用”的理念，既是对古筝的探索，也是对当代音乐审美的回应。 Guzheng performer Pui Ian Chan's new album, Universe at the Fingertips: Pui Ian Chan's Guzheng Anthology, has been officially released on global digital platforms by Beijing Global Audio-Visual Publishing Co., Ltd. of the Central Conservatory of Music. This anthology represents the accumulation of Chan's composing journey from bachelor's to master's studies at the Central Conservatory of Music, as well as an exploration of the contemporary possibilities of guzheng music. From the improvisational freedom of jazz to the simplicity and innocence of folk tunes, from the avant-garde vocabulary of modern music to the traditional idioms, these works serve as coordinates on the cultural latitude and longitude, documenting her ongoing inquiries into the "boundaries of the guzheng." Between tradition and innovation, Chan has always sought balance and breakthroughs. Falling Bead Curtain and Autumn Moon Over the Han Palace reinterpret classic melodies in duo formats, preserving traditional essence while injecting new musical dialogues. Walking in Paris allows the guzheng to traverse the stylistic spectrum of jazz and blues. Tango: Dance of Strings explores the guzheng's artistic expression within the tango style through intense rhythms and movement. Preface of Nanyin expands tonal possibilities using unique tuning and playing techniques. Mirror Flower, Water Moon creates an ethereal atmosphere through interplay between guzheng and piano. Tomorrow's Moonlight weaves delicate sonic layers with plucked strings. Finally, Imagery of the Tang Dynasty reconstructs the grand musical panorama of the Tang dynasty. All these works follow the principle of "rooted in tradition, applied across boundaries," reflecting both an exploration of the guzheng and a response to contemporary musical aesthetics.