Keen Elvis aficionados may spot Crown Electric as the name of the power company that employed the young Presley as a delivery truck driver before he got the call to record his first session at Sun Studios. Sixty years on, it’s also the title of the tenth album from Liverpool-born, Newcastle-based singer-songwriter Kathryn Williams – and her first solo record in almost four years. It’s a suitably emphatic title for Williams’ most potent album yet, confirmation and summation of the songwriting skills she’s been honing since 1999’s Dog Leap Stairs.