As the sole composer, performer, and producer of the double disc "Opheliac," EA gets personal. Written in the style she calls "Victoriandustrial," this magnificent musical adventure draws upon EA's background as a child-prodigy classical violinist growing up on the stages of concert halls around the world, and combines it with her passion for harsh industrialism, aggressive metal, and all things Vaudeville. The subject matter of this elaborate concept album is much darker however, bravely and often humorously addressing highly controversial issues ranging from manic depression (the harpsichord-driven title track as well as the contagiously danceable "Swallow" and the epic "Misery Loves Company"), self-mutilation ("Liar," a terrifying decent into hell), and sexual abuse ("Gothic Lolita") to suicide (the beautifully ironic "The Art of Suicide"), and touching on EA's real-life experience as a psych ward inmate (the tragically funny "Thank God I'm Pretty," from the "Opheliac -- Deluxe Edition" Bonus Disc). As EA herself explains: "I learnt to walk in the back stages of theatres and opera houses, amongst the beautiful chaos of costume changes, circus performers, sweaty ballerinas, dripping make-up, and far too much glitter. Then, I went mad and was locked up. This is simply what it sounds like inside my head. 'Opheliac' is my 'mad scene'." Accentuated by EA's signature electric violin pyrotechnics, heartbreakingly lush orchestrations, hard-core beats, and menacing lyrics growled with enough intensity to make your hair stand on end, the resulting noise is a harpsichord-heavy romp through Victorian asylums where screaming is allowed and girls always get revenge.