The newest Dadaisme recording sports a weighty philosophical concept. It's our thirty-first release on FFM. Entitled "Dasein Mosaic," it is inspired by Heidegger's notion of "Dasein." Put simply, "Mosaic" is directly informed by a view of existence or being that's split between two opposing states: selfhood and society. In other words, our existence is informed both by solitude and interaction, yet neither is fully realized. One never becomes wholly isolated, nor entirely part of the objective world. Instead there's a shuttling back and forth between the two conditions: between "myself" and "them." Between here and there. For that reason, perhaps, Valera Shevchenko - the project's author - has spoken of his "Dasein Mosaic" as a "huge experiment with cyclical loops." In fact even his early stage-name of Dadaisme comes from a similarly liminal state, somewhere beyond anything local and/or logical. Metaphors of departure and return predominate, emphasizing cyclical, often bizarre processes over any kind of stasis.