by Michael Freedberg Producer Anthony Monn parades every effect known to Euro-dream imagery in support of Lear as disco vamp: whispers from inside a tunnel, rhythms that filter in subliminally, themes that scale up to soprano range, choirs of angels singing, guitar rhythm rock-ons, and, of course, Lear's voice. Lear's singing is perhaps Monn's greatest effect: androgynous, sultry, out of reach and horny at the same time, Lear works hard to pretend at playing the merciless siren. She can't properly sing even one note, but what's that got to do with anything?