by Stacia ProefrockDee Dee Bridgewater's self-titled album opens with a song that sounds closer to Gloria Gaynor than Ella Fitzgerald, throwing her jazz fans for a loop. This 1976 release explores R&B and funk territories, while still employing her strong, husky voice. She shows the amazing range and emotional expression that would make her "comeback" albums of the '90s so remarkable, while apparently having a lot of fun. While this album is out of character for her stylistically, it is still a fine addition to any fan's collection.