by John DouganBy this juncture, you either love Jon Spencer enough to listen to every record, or you've heard plenty and are decidedly uninterested. Still, Orange mines the same territory as Extra Width, and that may not be enough. At times, even during Orange's best tracks ("Bell Bottoms"), the thin, retro-'70s worshipping sounds phoned in and lacking in real emotional commitment. But, as with a lot of junk rock, sometimes it can be appreciated for simply being junk, and that's fine. But it's likely that Spencer's core fans like the idea of the blues more than the reality. In other words, they don't mind the pose, nor do they mind the facade. In Jon Spencer's world, image is everything.