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A Martyrium Of White Roses

A Martyrium Of White Roses

  GENRE..... Electronic   STYLE..... Industrial   LABEL..... Cold Meat Industry   Bitrate ..... VBRkbps/44.1kHz/Joint-Stereo   Reldate .... 01-06-2009   It might seem strange that a band without a single release to its name has played concerts   and festivals all over Europe. But anyone who has ever experienced Die Weisse Rose on stage   knows why.   More than concerts, Die Weisse Rose's performances are elaborate rituals, caleidoscopic (or   even psychedelic) experiences. Elements such as uniforms, burning torches, snippets of old   schla"gers, segments from documentary films and philosophical proclamations are wowen   together by orgies of live drums and electronic sounds.   Die Weisse strives towards what Wagner called "Gesamtkunstwerke" - total works of art. When   most other bands talk about Gesamtkunstwerke, it sounds pretentious. When Die Weisse Rose do   it, it makes sense.   Die Weisse Rose also like to think of their songs as "audiodocumentaries". Again, such a   seemingly pretentious term makes sense, as Die Weisse Rose's art is just as indebted to the   History Channel as to Throbbing Gristle.   To bolster Die Weisse Rose's lineup (which really consists only of the band's mastermind,   Thomas Bojden) over the years the unit has recruited collaborators to its ranks that makes   DWR smack of an Industrial supergroup. From Marco Deplano (Foresta di Ferro), Gerhard   (Allerseelen), Kim Larsen (Of the Wand and the Moon) to name but a few.   In return, Thomas Bojden has returned the favour and played with a who's who of of the   Industrial and Neofolk underground, from well-established outfits like Rome, Blood Axis and   Foresta Di Ferro to up-and-coming Austrian neofolk band Klammheim.   Now, Die Weisse Rose are for the first time available on record. If you fear that we have   another "martial" clone band on our hands, prepare to be pleasantly surprised. The music is   painstakingly crafted and orchestrated to perfection to include electronic elements, field   recordings and real instruments, and its creative merits really stand out in an underground   culture where bands of far lesser talents than Die Weisse Rose would release three albums in   the time Die Weisse Rose have patiently worked on theirs.   Let one thousand white roses bloom, as Die Weisse Rose unleashes "A Martyrium Of White   Roses".  

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