Queer as Folk: The Fourth Season continues the move toward rock and pop and away from the dance music that dominated the soundtracks from the show's previous seasons. True, Burnside Project's "Cue the Pulse to Begin," Jason Nevins' "I'm the Main Man," Kodo's "Strobe's Nanafushi," and Origene's "Sanctuary" all have a dance edge in greater or lesser degrees, but most of the soundtrack seems more oriented toward headphones or living rooms than a night on the tiles. The bittersweet pop of the Eels' "Love of the Loveless" and the Reindeer Section's brighter-sounding but just as earnest "You Are My Joy" are the best examples of this trend, but it's also reflected in the post-post-punk of the Uncut's "Understanding the New Violence" and the nu-new wave of Ima Robot's "Scream."