by Justin M. KantorWith the cool, reggae-tinged strains of "Take Me in Your Arms," the schmoozing lounge-disco of "Dancin' Fever," and the fun, simple rhythms of "Take It Easy," Barry's 1977 sophomore outing (originally released in the U.S. simply as Claudja) builds upon the proficiency of its predecessor. Simultaneously suitable for both dance enthusiasts and radio-heads, the set's diversity demonstrates both Barry and producer Jürgen S. Korduletsch's working knowledge of a number of idioms, with influences ranging from Motown to James Brown and the Beatles. But the missing element is the carefree, more spontaneous approach that would surface on Barry's 1981 album, Made in Hong Kong. Several tracks, such as the generic churner "Love Machine" and somewhat lulling "Long Lost Friend," pale in comparison to stylistically comparable but more adventurous efforts from the latter album, like "Love Control" and "Sweet Inspiration." But compared to the routine output of studio groups of the day (Silver Convention, the Ritchie Family), The Girl Most Likely can hardly be considered dull, for "Dancin' Fever" alone can lure one in with its sneaky sultriness. The album itself simply isn't the crowning achievement that Made in Hong Kong is.